In Spain, a poor country ruined by the recent Civil War (1936-39), and in the midst of Franco's dictatorship, a film school was created in Madrid in 1947, which became, almost unintentionally, a space of freedom and pure experimentation until its closure in 1976.
A young film director invites a friend to his home to propose him to participate in his next short film, a free adaptation of the painting: The Passage of the Styx Lagoon.
An exploration of fluidity in both motion and corruption. Water, ever-shifting and formless, becomes the guiding concept—its movement echoed in the distortion of the image. Glitches ripple and flow like liquid, blending destruction with an organic, almost natural rhythm. For the first time in the...
