"A country without artists is a dead country... I hope we are alive..." It is in this film by Fawzi Sahraoui produced by the RTA in 1985 and filmed a few months before the painter M'hamed Issiakhem 'turns off this sentence is spoken. A very interesting docu-fiction in which Issiakhem delivers...
In 2020, unable to travel, Ico Costa left a small camera with Ailucha and Domy, two young Mozambicans from the city of Inhambane, and asked them to film their daily lives. The result: working, playing, walking, hanging around, smoking, listening to music, singing, dancing, feeling desire – being...
Exploration of memories related to food and food making. Three women are preparing dishes personally meaningful to them, while the director's grandmothers recount the tales of what food and cooking meant for them throughout their lives.
Fernand Pouillon, l'architecte le plus recherché de France
52023HD
The work of Fernand Pouillon, "France's most wanted" architect after being imprisoned and mysteriously escaping in the 1960s, now seems to have faded into the background. However, in 50 years he has built more than 5 million square meters, mainly between France and Algeria, at a frantic pace,...
A bitter film director is forced to explain why her latest film, 'She's So Cold', reflects worrying ideas about relationships and men. Reluctant to cooperate, she hijacks the interview and propagates her own twisted perspective on life.
A young Calabrian woman just back from Gorizia tells a friend about her trip: what prompted her to go to Friuli-Venezia Giulia was her discovery of the poems and novels by one Carlo Michelstaedter, an author and philosopher who had died young, in 1910. What was the reason for his tragic death? And...
Unfortunately, every year eight million people die quietly due to Mental Illness. It's urgent to decrease this number. It's urgent to help. It's urgent to listen, to observe and to speak up. It's urgent to break this taboo.
8 Portraits, Scenarios: Death of Reality, Fiction, Truth & Lies
02025HD
A director attempting to create an unconditionally truthful film becomes obsessed with the topic of death. In an intrusive way he relentlessly pushes dark scenarios of death aimed at his portraitures, creating a tension ridden and emotional set, blurring the lines of experimental docu-fiction drama.
While struggling to understand his place as a second generation Jordanian–born Palestinian, Abood's uncle returns from Canada with stories of his youth as a refugee following the Naksa. Soon after, and with his uncle's stories fresh in his mind, Abood finds himself lost in the streets of Amman,...
A real woman, doing things, being in places. A girl like us, holding a camera, filming her immediate surroundings to show us how it is not easy being a woman, to reveal the elemental plight of being.