Lawrence Talbot, an American man on a visit to Victorian London to make amends with his estranged father, gets bitten by a werewolf and, after a moonlight transformation, leaves him with a savage hunger for flesh.
Three celluloid letters sent from different parts of the globe to Paul Morrissey, director of Trash, Flesh and Heat, collaborator with Warhol and agent for the Velvet Underground.
Hundreds of gremlin-like mutant creatures from a melting glacier violently descend on a survivalist cabin in the mountains where an unsuspecting circle of high school seniors are celebrating their last weekend together before college.
A government subsidized water facility "melts" down releasing a toxin into the water supply which turns the employees and population into soulless mutants hungry for blood, as a group of survivors try to escape the mutants wrath.
The process of depersonalization maintains a dialogue with the objectification of the body, a sort of thingified flesh, clothed in animosity. In an epiphanic act, the sutures reveal themselves as the reflection of this gaze upon its own spilled fluids and transcend into an internal soup. It is the...
