Miguel Aceves Mejía Movies

This post-World War II drama, (released to a world-wide audience on July 9, 1949), is definitively unique for the caliber of each of its contributing writers, who are clearly better-known for their cinematic talents in black and white . For instance, the film's Director Chano Urueta ( who became an...

Western heist movie; a complicated bank job goes bad, and two groups of thieves fight the sheriff and each other.

Paloma is bound and determined to kill the heck out of the guy that dishonored her sister, but mistaken identities and stuff.

Wealthy land-owner poses as a bandit, robbing only his own properties, to get the romantic attention of a woman who lives down the road.

Romcom with music: owner of an auto-repair shop woos the owner of a beauty parlor.

Three con-artists chase after the absconded girlfriend of one and butt heads with two female swindlers working the same marks.

A young street vendor who is a cockfighting aficionado, attracted by the image of one of them, settles on the ranch of its owner where he falls in love with the foreman's daughter. All the problems happen and some that afflicted the ranch in the past are solved by him.

A farmer aspires to marry the daughter of the local aristocrats, but she think he's beneath her. It take a long time for things to settle into a groove so life can run smoothly again for all concerned.

Mexican singer touring Argentina wins a country estate in a poker game.

Three Black Angels (Spanish: Tres angelitos negros) is a 1960 Mexican comedy film directed by Fernando Cortés and starring Miguel Aceves Mejía, Yolanda Varela and Pedro Vargas.

Two brothers are trying to raise emergency cash by doing cockfights and horse-races. They meet two sisters.

Ranchera singer and his sidekick travel to Argentina to mix it up with a playboy who bragged to them about the tour he'd book for them.

Two con-artists run roughshod over the local economy of a small town they visit... but then they fall in love with two young women related to the rich landowners who are the target of their primary swindle.

Anthropologist goes to small town to do field work supporting her theories about the primitive/subhuman origins of machismo.

Romantic triangle. One of the guys is a very bad man.

Singer relives her love-life in flashback: she adopts another woman's illegitimate daughter, she gets married, the grandparents of the baby raise a fuss, etc.

Itinerant folk-singer returns to his home town, gets caught in two intersecting love triangles. It ends badly.

Daniel is let out of jail for his mothers funeral. During his furlough he kidnaps his son and takes him to a movie set where a western is being shot.

Cowboy sheriff investigates the murder of a crooked lucha-libre promoter.