One of the earliest events to combine dance on film projected in juxtaposition with live performances by the same dancers. The films included rehearsals of the sequences being danced in their final form on stage; portraits of individual dancers, and different interpretations of the same segment of...
I Am an Ox, I Am a Horse, I Am a Man, I Am a Woman
2.81988HD
This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of...
Imagining October explores art and politics in the final years of the Cold War, drawing connections between pre-Perestroika Russia and Thatcherite Britain. The title refers to the 1917 Bolshevik revolution and Sergei Eisenstein’s propaganda film October: Ten Days That Shook the World 1928. The...
Explores rage, its function and its representation in film. Why does rage occur, how does it differ between people and how do children feel about it? Also questions if rage can ever be a constructive emotion.
Faces pass by in quickly edited, split-screen recordings. A 'structuralist' film in which the film material itself plays an important role. Grain, scratches and flickering give the film texture. The music is by Steve Reich.
A re-framing both of Virginia Woolf’s 1928 novel Orlando, and of Potter’s film of the same name. Through song and dance, the new film will explore Orlando’s 400 year journey, with questions of class, race, sex, Britain’s imperialist history and what it means to be British now. In a...
