A supposedly idyllic weekend trip to the countryside turns into a never-ending nightmare of traffic jams, revolution, cannibalism and murder as French bourgeois society starts to collapse under the weight of its own consumer preoccupations.
Julie, a daydreaming librarian, meets Céline, an enigmatic magician, and together they become the heroines of a time-warping adventure involving a haunted house, psychotropic candy, and a murder-mystery melodrama.
Aimless young Alexandre juggles his relationships with his girlfriend, Marie, and a casual lover named Veronika. Marie becomes increasingly jealous of Alexandre's fling with Veronika and as the trio continues their unsustainable affair, the emotional stakes get higher, leading to conflict and...
Tom Ripley, an American who deals in forged art, is slighted at an auction in Hamburg by picture framer Jonathan Zimmerman. When Ripley is asked by gangster Raoul Minot to kill a rival, he suggests Zimmerman, and the two, exploiting Zimmerman's terminal illness, coerce him into being a hitman.
Daniel lives with his grandmother and, after a year of high school, goes to live with his mother in the south of France; a harsher environment which rapidly changes his perception of friends, work, and women.
Jean Renoir, le patron, 3e partie: La règle et l'exception
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In the third part of a Cinéastes triptych on Jean Renoir, the director sits alone in a cinema analyzing scenes from La Marseillaise and The Rules of the Game, and discussing his editing and storytelling techniques.
This satire concerns three French singing idols and their attempt to stay in the public eye. A press conference, backstage hedonism, psychedelia, manipulative managers and disc jockeys are portrayed as the pop culture is thoroughly and effectively lampooned in this independent feature.
François Truffaut said of Paul Vecchiali in his early days that he was "the only true heir of Jean Renoir." The first short film of this director, who was to become a singular figure of independent French cinema, follows the path of an elderly woman towards her memories and beyond. Attentive,...
Daniel needs some money to buy a duffle coat that is in fashion, so he agrees to work for a photographer by dressing up as Santa Claus. He discovers that it is much easier to meet girls when he is in his costume.
A group of friends listen as one man tells them a story about a time when, in a small cafe, he discovered a peephole into the ladies' bathroom and became addicted to looking through it at female genitals. They ask him questions and come to conclusions about sex. This is a filmed, scripted version....
Ángel Díaz’s documentary The Lost Sorrows of Jean Eustache, concentrates on Eustache as cinematic thinker and archivist of his own life. Actors read texts written by Eustache, including the following reflection: “The role of the author in cinema should be one of non-intervention.” This...
In 1979, under the presidency of the city mayor, the people of Pessac elect a virtuous and gracious maiden from amongst the residents, following a tradition that comes from times immemorial.
Philippe Garrel’s documentary on France’s second wave of masterful filmmakers. Featuring Jean Eustache, Chantal Akerman, André Téchiné, Leos Carax, Jacques Doillon and Benoit Jacquot.
In the French countryside it's the day for peasants to kill a big fat pig. The slaughter goes on for a great part of the day as they work to store 140kg worth of meat.
Influenced and inspired by Jean-Luc Godard, some young french directors (Jean Eustache, Francis Leroi, Jean-Michel Barjol, Romain Goupil, Luc Moullet) are talking about their problems in producing less expensive and more free films in the french industry of cinema of the 60's.
This landmark documentary by Jean Eustache, filmed in 1968, hilariously exposes small-town pomposity and naiveté as it chronicles the preparations for an annual contest to crown a village’s most virtuous young woman.
