Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles
3.61976HD
A lonely widowed housewife does her daily chores and takes care of her apartment where she lives with her teenage son, and turns the occasional trick to make ends meet. Slowly, her ritualized daily routines begin to fall apart.
Following over two dozen different people in the almost wordless atmosphere of a dark night in a Brussels town, Akerman examines acceptance and rejection in the realm of romance.
Pierre lives with his mother in an antiquated house in a run-down working-class area. Every morning, Pierre takes the tram to his job at the town hall, where he listens to his colleagues' jokes over the lunch break. His only hope of banishing his boredom and frustration is a girl from the...
An analysis of the work of Belgian filmmaker Chantal Akerman (1950-2015), an experimental and innovative artist, both in content and form, who has left her mark on cultural memory and on the creations of other artists.
Jan Decorte's second feature film is an adaptation of the play Hedda Gabler by Norwegian playwright Henrik Ibsen. Decorte moved the locus of action of Ibsen's realistic play from 1890 to 1950, twenty-eight years earlier than when the film was shot. The story begins when Hedda returns home from an...
My aim is to create a highly compressed museum of cinema, consisting of some of the most notoriously engaging, difficult, and lengthy works of film history—those nearly invisible works that explore the limit conditions of film. Works that have become invisible precisely because of their status as...
An actor pretends to be a writer. He sits in his office, reflects and puts words to paper, which are then performed by Jan Decorte. The text influences the situations shown and vice versa [Avila].
