While on vacation at a resort hotel in the West Indies, Miss Marple correctly suspects that the apparently natural death of a retired British major is actually the work of a murderer planning yet another killing.
After finding her boss, a private detective, has committed suicide and has left her his agency, Cordelia Gray is asked to investigate the suicide of the man's son. During the course of her investigation, Cordelia becomes obsessed with the young man's memory and his increasingly suspicious death.
Asylum is a film very much derived from chaos, expressing implicitly the ideas conjured up by its title. A strange mix of both documentary and fiction, where in the future a group of people are looking back at the twentieth century. A virus has wiped out most of the culture of the twentieth...
An American in West Berlin finds himself caught up in murder and intrigue after his associate is killed and a diplomat's daughter is found dead in his room.
Scottish Television's film on the 40th Edinburgh International Film Festival in 1986, starring Robbie Coltrane (a former EIFF chauffeur) and featuring interviews with Bill Forsyth, Samuel Fuller and Barry Norman, among many others.
An abstract film, collecting together the 6 rooms Dave McKean made for Chris Petit to reshoot, cut-up, and generally abuse, in pursuit of images for his film 'Asylum', made in collaboration with the writer Iain Sinclair.
A film essay montage of contemporary footage, archive and cinema history, about the age of post-truth and how one young man’s childhood epilepsy became representative of the woes of the world and how he triumphed against adversity.
‘The Cardinal and the Corpse' marks the beginning of Petit’s loose partnership with writer Iain Sinclair. There’s a nod towards narrative here involving a book-search launched by graphic novelist Alan Moore and a dealer (the dapper but barking Driffield), but it’s little more than an excuse...
A filmmaker sets out to make a voyage of discovery on London's orbital motorway, the M25. He enlists the help of several others to film the motorway from several points, drive endlessly around it and dig up stories and potential beauty behind the motorway.
A short film detailing the ways that TV has failed as a creative and expressive medium in the UK through various sped up and slowed down clips of football, have I got news for you, diana's funeral and footage from chat shows.
Chris Petit & Iain Sinclair's liminal, laminal tribute to underground filmmaker Peter Whitehead, featuring image manipulation by Dave Mckean & reminiscences from various countercultural characters. A fitting epitaph for an English margin walker.
A film essay on Ballard's fiction, and its unrealised cinematic potential, with particular reference to David Cronenberg's (yet to be filmed) Crash, featuring an interview with the director, prior to making of his film.
Based on an English academic’s memoir on stalking and being stalked, a digital film essay on cinema and absence, on Hitchcock and Antonioni, on cinema and cities. It is a story of waiting, self-delusion, panic, fear of violence, and of modern technologies which define the urban stalker as they do...
A young woman enacts an imaginative revenge on her boyfriend for playing away. Director Chris Petit made this three-minute short to test a new super 16mm Kodak film stock to be used on Peter Greenaway’s upcoming feature The Draughtsman’s Contract.
Some of Petit's works were made for television. In this session, the three films are about three major figures in the English universe: filmmaker Peter Whitehead, novelist and screenwriter Rudy Wurlitzer, and writer J. G. Ballard. In these cinematographic portraits, Petit explores the...
Content is an ambient 21st-century road movie, an associative film essay inspired by driving’s trancelike state rather than any linear unfolding of the road.
